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The Story of an HourLoading...
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By Kate ChopinLoading...
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Table of Contents
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Learning Goals
About the Story
The Author
The Story
Characters
The Setting
The Plot
Genre, Themes, Symbolism and Motifs
Activities
Credits
About the Story
The Author
The Story
Characters
The Setting
The Plot
Genre, Themes, Symbolism and Motifs
Activities
Credits
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Learning Goals
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Identify and enjoy features of classic literature.
Analyze interactions among discourse elements that constitute a genre.
Acquire vocabulary and grammar structures in context.
Develop higher order thinking skills to spot clues, make inferences, think critically and draw conclusions to pose arguments in answer to writing and speaking prompts.
Engage in individual and collaborative group work in integrated language skills.
Analyze interactions among discourse elements that constitute a genre.
Acquire vocabulary and grammar structures in context.
Develop higher order thinking skills to spot clues, make inferences, think critically and draw conclusions to pose arguments in answer to writing and speaking prompts.
Engage in individual and collaborative group work in integrated language skills.
About the story
This story was first published in 1894 as The Dream of an Hour before being republished under this title in 1895. Students and teachers are encouraged to use the Feminist Literature Study Guide.
Kate Chopin's The Story of An Hour (1894) is considered one of the finest pieces of Feminist Literature. It is a tragic tale of loss, the loss of a loved one and the loss of freedom, which is a key point in this story. It reflects Chopin's view of the repressive role that marriage played in women's lives, as the protagonist, Louise Mallard, feels immense freedom only when her husband has died.
Kate Chopin's The Story of An Hour (1894) is considered one of the finest pieces of Feminist Literature. It is a tragic tale of loss, the loss of a loved one and the loss of freedom, which is a key point in this story. It reflects Chopin's view of the repressive role that marriage played in women's lives, as the protagonist, Louise Mallard, feels immense freedom only when her husband has died.
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The Author
Kate Chopin (1850 - 1904), born Katherine O'Flaherty in St. Louis, Missouri on February 8, 1850, is considered one of the first feminist authors of the 20th century. She is often credited for introducing the modern feminist literary movement.
Chopin's writing career began after her husband died on their Louisiana plantation in 1882 and she was struggling financially. Her mother convinced Kate to move back to St. Louis, but died shortly thereafter leaving her alone. Now Chopin, suffering from the loss of her husband and mother, was advised by her obstetrician and family friend to fight her state of depression by taking up writing as a source of therapeutic healing, a way to focus her energy and provide Chopin with a source of income. She took the advice to heart. She became a talented and prolific short story writer, influenced primarily by the French short story author, Guy de Maupassant. Many of her works are featured in the Feminist Literature - Study Guide
Chopin's writing career began after her husband died on their Louisiana plantation in 1882 and she was struggling financially. Her mother convinced Kate to move back to St. Louis, but died shortly thereafter leaving her alone. Now Chopin, suffering from the loss of her husband and mother, was advised by her obstetrician and family friend to fight her state of depression by taking up writing as a source of therapeutic healing, a way to focus her energy and provide Chopin with a source of income. She took the advice to heart. She became a talented and prolific short story writer, influenced primarily by the French short story author, Guy de Maupassant. Many of her works are featured in the Feminist Literature - Study Guide
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By the early 1890s, Kate Chopin was writing short stories, articles, and translations which appeared in periodicals and literary magazines regionally based in St. Louis -- she was perceived as a "local color" writer, but her literary qualities were discounted.
Chopin embraced a number of writing styles, taking into account her ancestry of Irish and French descent, and her years with Creole and Cajun influences in Louisiana. Slavery and women's rights were realities that she incorporated in many of her stories and sketches, portraying women in a less than conventional manner, with individual wants and needs. Perhaps in many ways autobiographical, her exploration of women's independence was not celebrated until many years later. Chopin was in many ways, a woman before her time.
Chopin embraced a number of writing styles, taking into account her ancestry of Irish and French descent, and her years with Creole and Cajun influences in Louisiana. Slavery and women's rights were realities that she incorporated in many of her stories and sketches, portraying women in a less than conventional manner, with individual wants and needs. Perhaps in many ways autobiographical, her exploration of women's independence was not celebrated until many years later. Chopin was in many ways, a woman before her time.
The Story
Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.
It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.
She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.
There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.
She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves. There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.
It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.
She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.
There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.
She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves. There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.