Loading...
The SchoolmistressLoading...
Loading...
Loading...
Loading...
Loading...
Loading...
Loading...
Loading...
Loading...
Loading...
Loading...
Loading...
Loading...
By Anton Chekhov
Clicking this image on each page brings you back here.
Some other icons and images are interactive.
Table of Contents
Identify and enjoy features of short stories.
Analyze interactions among discourse elements that constitute the genre.
Acquire vocabulary and grammar structures in context.
Develop higher order thinking skills to spot clues, make inferences, think critically and draw conclusions to pose arguments in answer to writing and speaking prompts.
Engage in individual and collaborative group work in integrated language skills.
Analyze interactions among discourse elements that constitute the genre.
Acquire vocabulary and grammar structures in context.
Develop higher order thinking skills to spot clues, make inferences, think critically and draw conclusions to pose arguments in answer to writing and speaking prompts.
Engage in individual and collaborative group work in integrated language skills.
Level
Pre-Intermediate Level of ESL
Learning Goals
Anton Chekhov, (born Jan. 29, 1860, Taganrog, Russia—died July 14/15, 1904, Badenweiler, Ger.), Russian playwright and short-story writer. The son of a former serf, he supported his family by writing popular comic sketches while studying medicine in Moscow. While practicing as a doctor, he had his first full-length play, Ivanov (1887), produced, but it was not well-received. He took up serious themes with stories such as “The Steppe” (1888) and “A Dreary Story” (1889); later stories include “The Black Monk” (1894) and “Peasants” (1897). He converted his second long play, The Wood Demon (1889), into the masterpiece Uncle Vanya (1897). His play The Seagull (1896) was badly received until its successful revival in 1899 by Konstantin Stanislavsky and the Moscow Art Theatre. He moved to the Crimea to nurse his eventually fatal tuberculosis, and there he wrote his great last plays, Three Sisters (1901) and The Cherry Orchard (1904), for the Moscow Art Theatre. Chekhov’s plays, which take a tragicomic view of the staleness of provincial life and the passing of the Russian gentry, received international acclaim after their translation into English and other languages, and as a short-story writer he is still regarded as virtually unmatched.
Source: Britannica, The Editors of Encyclopaedia. "Anton Chekhov summary". Encyclopedia Britannica, 2 May. 2020, https://www.britannica.com/summary/Anton-Chekhov. Accessed 22 June 2024.
Source: Britannica, The Editors of Encyclopaedia. "Anton Chekhov summary". Encyclopedia Britannica, 2 May. 2020, https://www.britannica.com/summary/Anton-Chekhov. Accessed 22 June 2024.
The Author
The story is written in a minimalist style, with a focus on everyday details and subtle emotions.
Chekhov uses vivid imagery and descriptive language to create a sense of atmosphere and evoke empathy for Marya.
Chekhov uses vivid imagery and descriptive language to create a sense of atmosphere and evoke empathy for Marya.
AT half-past eight they drove out of the town.
The highroad was dry, a lovely April sun was shining warmly, but the snow was still lying in the ditches and in the woods. Winter, dark, long, and spiteful, was hardly over; spring had come all of a sudden. But neither the warmth nor the languid transparent woods, warmed by the breath of spring, nor the black flocks of birds flying over the huge puddles that were like lakes, nor the marvelous fathomless sky, into which it seemed one would have gone away so joyfully, presented anything new or interesting to Marya Vassilyevna who was sitting in the cart. For thirteen years she had been schoolmistress, and there was no reckoning how many times during all those years she had been to the town for her salary; and whether it were spring as now, or a rainy autumn evening, or winter, it was all the same to her, and she always -- invariably -- longed for one thing only, to get to the end of her journey as quickly as could be.
She felt as though she had been living in that part of the country for ages and ages, for a hundred years, and it seemed to her that she knew every stone, every tree on the road from the town to her school. Her past was here, her present was here, and she could imagine no other future than the school, the road to the town and back again, and again the school and again the road. . . .
She had got out of the habit of thinking of her past before she became a schoolmistress, and had almost forgotten it. She had once had a father and mother; they had lived in Moscow in a big flat near the Red Gate, but of all that life there was left in her memory only something vague and fluid like a dream. Her father had died when she was ten years old, and her mother had died soon after. . . . She had a brother, an officer; at first they used to write to each other, then her brother had given up answering her letters, he had got out of the way of writing. Of her old belongings, all that was left was a photograph of her mother, but it had grown dim from the dampness of the school, and now nothing could be seen but the hair and the eyebrows.
The highroad was dry, a lovely April sun was shining warmly, but the snow was still lying in the ditches and in the woods. Winter, dark, long, and spiteful, was hardly over; spring had come all of a sudden. But neither the warmth nor the languid transparent woods, warmed by the breath of spring, nor the black flocks of birds flying over the huge puddles that were like lakes, nor the marvelous fathomless sky, into which it seemed one would have gone away so joyfully, presented anything new or interesting to Marya Vassilyevna who was sitting in the cart. For thirteen years she had been schoolmistress, and there was no reckoning how many times during all those years she had been to the town for her salary; and whether it were spring as now, or a rainy autumn evening, or winter, it was all the same to her, and she always -- invariably -- longed for one thing only, to get to the end of her journey as quickly as could be.
She felt as though she had been living in that part of the country for ages and ages, for a hundred years, and it seemed to her that she knew every stone, every tree on the road from the town to her school. Her past was here, her present was here, and she could imagine no other future than the school, the road to the town and back again, and again the school and again the road. . . .
She had got out of the habit of thinking of her past before she became a schoolmistress, and had almost forgotten it. She had once had a father and mother; they had lived in Moscow in a big flat near the Red Gate, but of all that life there was left in her memory only something vague and fluid like a dream. Her father had died when she was ten years old, and her mother had died soon after. . . . She had a brother, an officer; at first they used to write to each other, then her brother had given up answering her letters, he had got out of the way of writing. Of her old belongings, all that was left was a photograph of her mother, but it had grown dim from the dampness of the school, and now nothing could be seen but the hair and the eyebrows.
The Story
When they had driven a couple of miles, old Semyon, who was driving, turned round and said:
"They have caught a government clerk in the town. They have taken him away. The story is that with some Germans he killed Alexeyev, the Mayor, in Moscow."
"Who told you that?"
"They were reading it in the paper, in Ivan Ionov's tavern."
And again they were silent for a long time. Marya Vassilyevna thought of her school, of the examination that was coming soon, and of the girl and four boys she was sending up for it. And just as she was thinking about the examination, she was overtaken by a neighboring landowner called Hanov in a carriage with four horses, the very man who had been examiner in her school the year before. When he came up to her he recognized her and bowed.
"Good-morning," he said to her. "You are driving home, I suppose."
This Hanov, a man of forty with a listless expression and a face that showed signs of wear, was beginning to look old, but was still handsome and admired by women. He lived in his big homestead alone, and was not in the service; and people used to say of him that he did nothing at home but walk up and down the room whistling, or play chess with his old footman. People said, too, that he drank heavily. And indeed at the examination the year before the very papers he brought with him smelt of wine and scent. He had been dressed all in new clothes on that occasion, and Marya Vassilyevna thought him very attractive, and all the while she sat beside him she had felt embarrassed. She was accustomed to see frigid and sensible examiners at the school, while this one did not remember a single prayer, or know what to ask questions about, and was exceedingly courteous and delicate, giving nothing but the highest marks.
"I am going to visit Bakvist," he went on, addressing Marya Vassilyevna, "but I am told he is not at home."
They turned off the highroad into a by-road to the village, Hanov leading the way and Semyon following. The four horses moved at a walking pace, with effort dragging the heavy carriage through the mud. Semyon tacked from side to side, keeping to the edge of the road, at one time through a snowdrift, at another through a pool, often jumping out of the cart and helping the horse. Marya Vassilyevna was still thinking about the school, wondering whether the arithmetic questions at the examination would be difficult or easy.
"They have caught a government clerk in the town. They have taken him away. The story is that with some Germans he killed Alexeyev, the Mayor, in Moscow."
"Who told you that?"
"They were reading it in the paper, in Ivan Ionov's tavern."
And again they were silent for a long time. Marya Vassilyevna thought of her school, of the examination that was coming soon, and of the girl and four boys she was sending up for it. And just as she was thinking about the examination, she was overtaken by a neighboring landowner called Hanov in a carriage with four horses, the very man who had been examiner in her school the year before. When he came up to her he recognized her and bowed.
"Good-morning," he said to her. "You are driving home, I suppose."
This Hanov, a man of forty with a listless expression and a face that showed signs of wear, was beginning to look old, but was still handsome and admired by women. He lived in his big homestead alone, and was not in the service; and people used to say of him that he did nothing at home but walk up and down the room whistling, or play chess with his old footman. People said, too, that he drank heavily. And indeed at the examination the year before the very papers he brought with him smelt of wine and scent. He had been dressed all in new clothes on that occasion, and Marya Vassilyevna thought him very attractive, and all the while she sat beside him she had felt embarrassed. She was accustomed to see frigid and sensible examiners at the school, while this one did not remember a single prayer, or know what to ask questions about, and was exceedingly courteous and delicate, giving nothing but the highest marks.
"I am going to visit Bakvist," he went on, addressing Marya Vassilyevna, "but I am told he is not at home."
They turned off the highroad into a by-road to the village, Hanov leading the way and Semyon following. The four horses moved at a walking pace, with effort dragging the heavy carriage through the mud. Semyon tacked from side to side, keeping to the edge of the road, at one time through a snowdrift, at another through a pool, often jumping out of the cart and helping the horse. Marya Vassilyevna was still thinking about the school, wondering whether the arithmetic questions at the examination would be difficult or easy.