Book Creator

The Schoolmistress by Anton Chekhov

by Stella Maris Berdaxagar

Pages 4 and 5 of 19

Comic Panel 1
Loading...
horse carriage
Loading...
Loading...
russian win Sticker
Loading...
Anton Chekhov, (born Jan. 29, 1860, Taganrog, Russia—died July 14/15, 1904, Badenweiler, Ger.), Russian playwright and short-story writer. The son of a former serf, he supported his family by writing popular comic sketches while studying medicine in Moscow. While practicing as a doctor, he had his first full-length play, Ivanov (1887), produced, but it was not well-received. He took up serious themes with stories such as “The Steppe” (1888) and “A Dreary Story” (1889); later stories include “The Black Monk” (1894) and “Peasants” (1897). He converted his second long play, The Wood Demon (1889), into the masterpiece Uncle Vanya (1897). His play The Seagull (1896) was badly received until its successful revival in 1899 by Konstantin Stanislavsky and the Moscow Art Theatre. He moved to the Crimea to nurse his eventually fatal tuberculosis, and there he wrote his great last plays, Three Sisters (1901) and The Cherry Orchard (1904), for the Moscow Art Theatre. Chekhov’s plays, which take a tragicomic view of the staleness of provincial life and the passing of the Russian gentry, received international acclaim after their translation into English and other languages, and as a short-story writer he is still regarded as virtually unmatched.

Source: Britannica, The Editors of Encyclopaedia. "Anton Chekhov summary". Encyclopedia Britannica, 2 May. 2020, https://www.britannica.com/summary/Anton-Chekhov. Accessed 22 June 2024.
Loading...
Loading...
The Author
Loading...
Comic Panel 1
Loading...
The story is written in a minimalist style, with a focus on everyday details and subtle emotions.

Chekhov uses vivid imagery and descriptive language to create a sense of atmosphere and evoke empathy for Marya.
Loading...
horse carriage
Loading...
AT half-past eight they drove out of the town.
The highroad was dry, a lovely April sun was shining warmly, but the snow was still lying in the ditches and in the woods. Winter, dark, long, and spiteful, was hardly over; spring had come all of a sudden. But neither the warmth nor the languid transparent woods, warmed by the breath of spring, nor the black flocks of birds flying over the huge puddles that were like lakes, nor the marvelous fathomless sky, into which it seemed one would have gone away so joyfully, presented anything new or interesting to Marya Vassilyevna who was sitting in the cart. For thirteen years she had been schoolmistress, and there was no reckoning how many times during all those years she had been to the town for her salary; and whether it were spring as now, or a rainy autumn evening, or winter, it was all the same to her, and she always -- invariably -- longed for one thing only, to get to the end of her journey as quickly as could be.
She felt as though she had been living in that part of the country for ages and ages, for a hundred years, and it seemed to her that she knew every stone, every tree on the road from the town to her school. Her past was here, her present was here, and she could imagine no other future than the school, the road to the town and back again, and again the school and again the road. . . .
She had got out of the habit of thinking of her past before she became a schoolmistress, and had almost forgotten it. She had once had a father and mother; they had lived in Moscow in a big flat near the Red Gate, but of all that life there was left in her memory only something vague and fluid like a dream. Her father had died when she was ten years old, and her mother had died soon after. . . . She had a brother, an officer; at first they used to write to each other, then her brother had given up answering her letters, he had got out of the way of writing. Of her old belongings, all that was left was a photograph of her mother, but it had grown dim from the dampness of the school, and now nothing could be seen but the hair and the eyebrows.
Loading...
The Story